Song titles like вЂњMoney Power GloryвЂќ and вЂњFucked My Way Up to the TopвЂќ drip with sarcasm, but thereвЂ™s often a little bit of truth in what an artist presents. Its inclusion here, as the title of her latest artistic expression, seems a bit of a sardonic retort to her detractors.

Ultraviolence takes its name from Anthony BurgessвЂ™ classic dystopian novel A Clockwork Orange and KubrickвЂ™s film adaptation, where the word was used in reference to violence of an extreme nature. If the recent spike in online activity is any indication, Ultraviolence has reignited the Del Rey debate and both her relevance and artistry are once again placed underneath the blade of a critical scalpel. The pre-release racket has been surprisingly quiet until now, but curiosity has been piqued as of late. Or does she? Listening to the often uninspired lyrics of Ultraviolence, one would be tempted to say no, yet thatвЂ™s only one marred facet of this curiously beautiful new record. She once intimated that her 2012 album Born to Die would be her last, but clearly she had more to say after last yearвЂ™s short film Tropico. Even if her latest effort Ultraviolence doesnвЂ™t break any record sales, itвЂ™s doubtful Del Rey will be going anywhere anytime soon, unless itвЂ™s on her own accord. Those who thought her expiration date would be drawing nigh have been proven wrong.

ThatвЂ™s basically what the public has been led to believe through her recent interviews, but it seems logical enough, given that artists occasionally read commentary of their work and take whatвЂ™s written to heart.

Her upbringing, her backstory, and her indie cred were all intimately dissected to death, yet she somehow survived relatively unscathed, even when the constant barrage of criticism wore her down emotionally. The mediaвЂ™s preoccupation with the life of singer-songwriter Lana Del Rey is no different.Д«oth perpetually maligned and adored, Del ReyвЂ™s entrance into the music world gave critics, new fans and know-it-all hipster naysayers something to discuss and debate ever since вЂњVideo GamesвЂќ saturated the blogosphere. No matter what the age, thereвЂ™s always been a fascination with dissecting these figures weвЂ™ve placed upon lit pedestals. The ordinary is fluffed up and injected with importance, even if itвЂ™s as unremarkable as buying fruit in a farmerвЂ™s market. Their daily existence is poured into something resembling a petri dish, to be analyzed and observed by the masses, while paparazzi and the media invade even their most mundane of activities. Revered by some and reviled by others, celebrities often voice their frustration with having their private lives placed on a thin sliver of glass underneath the lens of a tabloid microscope. The word вЂњCelebrityвЂќ is both encrusted in diamonds and saturated in poison.

Suurin osa kappaleista ovat kirjoitettu samassa tahdissa.Daunting though it may be to perpetually remain the object of public scrutiny, there has to be something quite alluring about wearing a big letter C upon oneвЂ™s chest. KitararГ¤mpytykset ovat 'granola-tyylisiГ¤' Del Reyn laulaessa kevyellГ¤ ja pehmeГ¤llГ¤ Г¤Г¤nellГ¤. SГ¤velletty ainoastaan akustisista kappaleista, albumilta puuttuu Del Reyn tavaramerkki minimalisista hiphoprytmeistГ¤, elektronisista Г¤Г¤neistГ¤ ja kokeellisella musiikilla joita on Del Reyn toisella studioalbumilla 'Born to Diella'. Tammikuussa 2014 kaksi 'Sirensia' edeltГ¤vГ¤Г¤ EPtГ¤, 'From the End' ja 'Quiet Now' (2005), vuosivat nettiin. Nauhoitettu ainoastaan akustisen kitaran kanssa, Del Reyn sanat verrattiin yhdysvaltalaisen laulajan Jewelin debyyttialbumiin, Pieces of You. Koko albumi vuodettiin YouTuben kautta toukokuussa 2012. Sirens on yhdysvaltalaisen laulaja-lauluntekijГ¤ Lana Del Reyn julkaisematon demoalbumi taiteilijanimellГ¤ May Jailer, joka nauhoitettiin vuosina 2005-2006.

Sirens lana del rey album